“Mermaid Confidential” by Tim Dorsey (William Morrow)
“Mermaid Confidential” is the 25th slapstick-noir novel in which Tim Dorsey chronicles the antics of obsessive-compulsive serial killer Serge Storms and his drugged-out sidekick, Coleman, as they devise fiendishly inventive ways to murder a rogues' gallery of Florida grifters and thugs who all had it coming.
“Violeta,” by Isabel Allende. (Random House)
Chilean writer Isabel Allende's latest novel is “Violeta,” an epic tale that transports readers across a century of South American history, through economic collapse, dictatorship and natural disasters like an earthquake and a hurricane.
“Last Seen Alive” by Joanna Schaffhausen (Minotaur)
When Joanna Schaffhausen first introduced FBI Special Agent Reed Markham and Boston police officer Ellery Hathaway, the author put serial killer Francis Coben at the center of their origin story.
“Olly Olly,” Penny and Sparrow (I Love You / Thirty Tigers)
In the first few unassuming bars of Penny and Sparrow’s new album, “Olly Olly,” it is not immediately apparent that this collection of songs signifies a shift for duo Andy Baxter and Kyle Jahnke.
“Ghost Stories,” The Whitmore Sisters (Red House Records)
Sibling harmony can be a contradiction in terms.
It also makes for lovely music, and that’s the case here.
“BRIGHTSIDE,” The Lumineers (Dualtone Records)
It will be hard for The Lumineers to top their immersive 2019 masterpiece “III” — a three-part concept album and accompanying short film exploring the cycle of addiction through generations.
Once upon a time there was a film that didn't know what it was. A romantic comedy? Perhaps. A period drama? A fairy tale? A tween fantasy mixed with royal intrigue? No matter. Producers threw a lot of cash at the film and filled it with movie stars.
“Delta Man,” Bobby Allison and Gerry Spehar (Independent)
The new album by longtime songwriting collaborators Bobby Allison and Gerry Spehar includes an exuberant self-assessment on “Bubba Billy Boom Boom & Me,” a tune as entertaining as its title.
NEW YORK (AP) — “Yinka, Where Is Your Huzband” by Lizzie Damilola Blackburn (Pamela Dorman Books)
Yinka Oladeji is a 30-year-old, Oxford educated, British Nigerian woman with a good job, living in London who happens to be single.
In the new Netflix movie “ The Royal Treatment,” the chief of staff for the prince of a fictional European country accidentally calls a run-down salon in the Bronx to schedule a haircut for His Royal Highness, Prince Thomas.
When we last we saw George MacKay running, he was sprinting full-tilt across a World War I battlefield. In “1917,” the British actor played a soldier tasked with delivering a message that a soon-to-be-launched offensive is doomed to fail.
“Strictly a One-Eyed Jack," John Mellencamp (Republic Records)
John Mellencamp‘s latest studio album, “Strictly a One-Eyed Jack,” is a work of deep reflection.
Over the course of 12 new tunes, Mellencamp sings in a raspy sing-song voice mixing blues, folk, and rock in an audio thread of reflections on the past, the future, sadness, and in many cases, some regret.
“The Runaway” by Nick Petrie (G.P. Putnam’s Sons)
Long haul trucker Roy Wiley is handsome and charming, so when he stops at a gas station in dreary Coldwater, Montana, the lonely 19-year-old girl working behind the counter begs him to take her with him.
“Enough Already: Learning to Love the Way I Am Today” by Valerie Bertinelli (Mariner Books)
Valerie Bertinelli has been in the public eye for going on a half-century.
“If you’ve ever owned a slave, please raise your hand,” Jeffery Robinson asks a live audience at the beginning of “Who We Are: A Chronicle of Racism in America,” a searing documentary based on a lecture he’s spent a decade perfecting.
Jamestown Revival, “Young Man" (Thirty Tigers)
The list of really good Americana roadhouse bands that have emerged from the Texas music scene over the years is a long one. The list of those that distinguished themselves by doing something fresh and original, not so much.
“Olga Dies Dreaming,” by Xochitl Gonzalez
"Olga Dies Dreaming" by Xochitl Gonzalez follows Olga and her brother, Prieto, two New York natives with Puerto Rican roots who have spent their lives desperately trying to figure out who they are and what they want.
In Iranian filmmaker Asghar Farhadi's films, reasonably straightforward set-ups — a divorce, a missing woman, a newly lent apartment — unspool such complex, cascading developments that it comes as no surprise that a found handbag stuffed with gold coins leads to countless fluctuations of fortune and anguish in his latest, “A Hero.”